Sarai Amanat Khan Amritsar


OverView of Sarai Amanat Khan Amritsar

Village Sarai Amant Khan is Historical Village, its Situated at ( Sher Shah Suri Marg ) Chabal- Atari Road(Distt. Tarn Taran).

It has a wonderfull historical building (1600 AD). At the time of Mughal Samarj, it was a greart sarain on Lahore- Delhi Road (or Sher Shah Suri Marg). It was Build by AMANAT KHAN -AL- SHIARAZI who was a great Architect at that Mughal time. Amanat Khan was architect of TAJ MAHAL AGRA.  TAJ MAHAL Build by Shah Jahan & Achitect by Amanat Khan.

The Minar of Building floral motifs is sculpted in marble in sober relief (munabbat kari) or inlaid with semiprecious stones (parchin kari) that produce incandescent reflections. And a Great Phenomina ofMinakari(Hand Painting)

Punjab, the place where there are five streams and the territory of extraordinary remains of most punctual human advancements mirrors the glory of Indian history from numerous points of view. Sarai Amanat Khan is renowned everywhere throughout the world for its coated tile enhancement and fancy doors. This is an unquestionable requirement see goal situated at an insignificant separation of 38 kilometers from Amritsar along the Taran-Attari street. An excursion from Amritsar to Sarai Amanat Khan will give you a chance to experience the experience of seeing one of the main four residual sarai’s going back to the Mughal period. Sarai would really be alluded as a hotel, a family unit and this particular Sarai, as the name infers was the habitation of Amanat Khan. This is a similar individual who is in charge of the calligraphy scratches everywhere throughout the Taj Mahal working in Agra. A similar calligraphy is properly reflected in the work of art of the Sarai Amanat Khan.

History of Sarai Amanat Khan Amritsar

The Amanat Khan Sarai is situated in the midst of all the compositional loftiness of the Mughal period in Amritsar. In spite of the fact that time has been dependable to assault the greater part of the magnificence of this building, the impressions still last and what is seen will give a careful thought of what a perfect course of action it had been before. The hand of Amanat Khan, as of now said above was the one behind the wonder of the Taj Mahal, enamoring traveler from the whole way across the globe. Worked in 1640, the Sarai Amanat Khan was worked by the calligrapher to carry on with an antisocial life after his sibling, Afzal Khan, the head administrator to Shah Jahan’s court, kicked the bucket. Amanat Khan had come to India in 1609 from Iran and his genuine name was Abdul Haq. The title of “Amanat Khan” was presented to him by none other than Shah Jahan for his noteworthy calligraphic work on the Taj. Be that as it may, here as well, Amanat Khan had left an impression of his craftsmanship and the excellent Sarai is full in engravings and calligraphy portrayed in yellow and blurring blue tiles.

Sarai Amanat Khan was likewise utilized as a visitor house in the past or voyagers along the Lahore Agra course where they would rest for a day or night before moving further. There were little rooms made for the voyagers and a mosque was worked for their general supplications. After his passing, Amanat Khan was covered in a similar place and now the Sarai likewise goes about as his sepulcher.


One more name that remains closely associated with the Taj Mahal, in particular with the superb calligraphic inscriptions displayed in the geometric friezes on the white marble, is that of the ingenious calligrapher, Amanat Khan, whose real name was Abd ul-Haq. This incomparable calligrapher, write Okada and Joshi, came to India from Shiraz, Iran, in 1609. Shah Jahan conferred the title of Amanat Khan upon this Iranian as a reward for the calligraphers dazzling virtuosity. In all probability, Amanat Khan was entrusted with the entire calligraphic decoration of the Taj Mahal. During Jahangirs reign, Amanat Kahn had been responsible for the calligraphic work of the Akbar mausoleum at Sikandra, and for that of the Madrasah Shahi Mosque at Agra.

It is quite possible that Amanat Khan was responsible for the choice of the epigraphs of the Taj Mahal, that is, the Qur’anic verses and other religious quotations appearing on the mausoleum. He signed his work inside the calligraphic inscription on the left side of the southern iwan – Amant Khan al-Shirazi, followed by the date (1638-39 AD). The calligrapher’s signature bears witness to his status and renown at the court, since many of his peers remained anonymous.

Now old building renews by Govt of India. Many Films of Bollywood are suited at Vill. Many Punjabi Songs are Picturised at here

Every  Year 7 March a Mela Orgnised at Baba Chup Smadh (baba chup who Silent for 14 years (mon varat) by Dhillon Families & Whole Villagers Contribute it

Site and Architecture of Sarai Amanat Khan, Amritsar

Sarai Amanat Khan is all the more special monument depicting the exquisite Mughal style sculpture reflected with the glazed tile decor that easily invokes the nostalgia of the olden days. The Sarai has two amazingly carved gateways: the Delhi Darwaja and the Lahori Darwaza. The beauty of the Sarai decoration can be mostly related to the ‘Baoli’ that is seen attached to the ancient well inside the Sarai. This lies almost unnoticed and it is a wonderful find with a small Mughal facility featuring itself solely to the southwest of Amritsar. The Sarai Amanat Khan also hosts the mausoleum of Amanat Khan that is structurally guarded by four minarets featured on four corners of the tomb.

In the courtyard of the Sarai Amanat Khan, there is also a mosque, a well and empty spaces that were then meant for bullocks, horses, and cattle. The arched hallway of the Sarai directs to a prayer room featuring amazing glazed tile work adorning the desolate spandrels. The mosque walls show calligraphic in Persian verses. There are hundreds of small rooms that were made for weary travelers looking to spend a night or a day on the Sarai before continuing their journey to Delhi or Lahore.

The place certainly is quite rich historically and has been announced under “Ancient Monuments and Archeological Sites and Remains Act, 1958.”

Amidst the architecture and floral designs is a special faded title that mentions an inscription from Amanat Khan stating that the Sarai has been built “for the comfort of God’s creatures”


Sarai Amanat Khan is a must see destination located at a mere distance of 38 kilometers from Amritsar along the Taran-Attari road.


The monument is open to the public all throughout the week and the timings are from morning 6.00 am to evening 9 p.m.

How to Reach

By Air

Raja Sansi International Airport in Amritsar provides regular service to major cities like Mumbai, Chennai among others.

By Train

Amritsar Railway Station is well linked to other railheads in the state and also connected to most of the cities in India. It has a connecting railway line to Pakistan as well.

By Bus

State-run public buses and private buses are available to move in and out from Amritsar. Grand Trunk Road connects Delhi to Amritsar. Luxury buses are available from Delhi.

Best Time to Visit Amritsar

Amritsar is a place which has extreme summers and extreme winters, so visiting summers in the peak summer and winter months are not advisable. Unless one wants to experience chilly winters below the freezing point, you must not visit Amritsar in December and January. Also, due to extremely hot temperatures visiting Amritsar between May – July should also be avoided. Rest of the time is good for visiting the place.


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